Jaro Varga’s solo show, In Someone Else’s Game, at Ivan Gallery in Bucharest
In Someone Else’s Game
02.02 - 25.03.2023
1st floor, Calea Plevnei 137C, B side,
Opening event: 02 February, 6-9 pm,
with a guided tour by the artist
We invite you to the opening event of Jaro Varga’s solo show, “In Someone Else’s Game,” on Thursday, February 2nd, between 6-9 pm. The artist will conduct an in-depth guided tour through the exhibition at 7 pm.
“In Someone Else’s Game” is a project developed by Jaro Varga in the past two years, starting as a critical research on the stereotypes of Native Americans’ representation in literature, especially in the popular phenomenon of Karl May’s novels. The artist aims at a possible rewriting of these troubled common places by means of artistic gestures, in new works created for this context. Devised as a playground for thought, the exhibition employs the apparently innocent, yet subversive approach of game-playing in order to render a more just and inclusive counter-narrative to the ‘Cowboys and Indians’ genre - be it in literature, film, or children’s games.
Inspired by his own personal history of childhood books, movies and games, Jaro Varga creates four site-specific ‘games’ of unlearning, deconstructing and revisiting cultural tropes and clichés deep embedded in our cultural subconscious. The first is the “Game of Books and Covers”, a strategy previously used by the artist in diverting the message of a book by overlapping it with a counter-cover, thus creating a new body of knowledge that bridges together past and present ideologies. The second is the “Game of Small Statues”, in which a carpet from the ‘80s becomes a backdrop mapping new typologies of characters, representatives of marginal or excluded groups from the official, heteronormative depiction of the ‘Wild West’: women, transgender persons, people of Asian or African American descent, etc. The third game is a “Film” made of fragments cut-out from the “Winnetou” movies of early ‘60s and recombined in the guise of a homoerotic romance - a strong taboo inside the cowboy culture. The fourth and final game is the “Book Illustrations” chapter, with drawings inspired by Patricia Nell Warren’s novels, the first widely popular bestsellers depicting gay narratives.
“In my childhood, I collected and redrew postcards, made bows, arrows and headdresses, watched The Treasure of the Silver Lake with bated breath, mourned the death of Winnetou, memorised the names of Native American tribes, drew imaginary prairies on maps, invented chiefs’ names, wrote a book. These days, I’m returning to childhood play. I am creating a new section of Karl May’s novels (set in the U.S. Old West) which reveals a critical look at the tradition of playing Indians in our environment, especially in the context of German literature and culture where ‘playing Indians’ has been deeply rooted since the nineteenth century. As in my childhood, anew, I redraw illustrations from books onto transparent covers. I overlay motifs and try to put them into critical relationships. Play can be an effective ideological-didactic tool. Relatively unopposed by us, it in culcates power schemas, racism, violence.”
Project supported using public funding by Slovak Arts Council